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Undoubtedly, this isn't adequate to even induce a smirk, and is simply outright bad. Many of the humor in Postal 4 would still feel comfortable in Postal 2, a video game that came out in 2002, and it wouldn't have been amusing then either. Even the most current popular culture referrals in the video game are still fairly dated, with nods to the likes of Breaking Bad, Apprehended Advancement, and Twin Peaks.


Why Peter Dinklage, you might be asking? Most likely because it's simple to change his name to "Tinklage." That, and the reality that the series has a precedent for teasing little people. Somewhat surprisingly, the voice acting is fairly good for the many part, especially considering the product the cast needs to work with.


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The only things it has in spades are consistent technical concerns that just intensify the game's lengthy list of egregious drawbacks. Keeping up Scissors may consider this evaluation a badge of honor, considering that the game being bad is seemingly part of the gag, but do not for a second think that Postal 4 even touches the world of "So bad, it's good." There's nothing redeemable about this video game.



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Possibly I'm supposed to dislike Postal 4: No Regerts. Perhaps that's sort of the point.  This Is Noteworthy  Keeping up Scissors explains it as a sequel to "the worst video game ever," Postal 2, renowned for its indecency and rough edges. If the goal was to make one that's even worse then that's certainly been attained, but that gag doesn't mean it's ever enjoyable to actually play.


Whether you're in on the joke or not, there's absolutely nothing on deal here except pain. Postal 4 bills itself as a satirical open-world shooter that wants to press the limits with a vulgar, over-the-top design and a crass subject in the vein of South Park. The main distinction is that South Park normally backs up its outrageous ideas with clever writing and some sort of meaningful message or suggesting behind the insanity, while Postal 4 practically never sticks the landing.